Jiang Wen is it not the case. People in the film did not grow up like children, born to dream, to reproduce on the screen in their own dream. "Sunny days", we see the bloody repression of the era of romantic youth, budding hormones and sexual awakening of the original, including "I fall into the ditch a car" is a memory of youth; "Devils on the Doorstep" , we see that the tide of 90 years in the social and economic history of the roots and back, filled with too many contradictions and confusion of human nature, and re-interpretation of the so-called sense of justice; "Sun Also Rises", we see is a broken dream, colorful, completely did not focus on logic, there are people drunk on flow, meaning the composition. It is said that Jiang wants is an expression of confusion, the confusion of their own destiny, choice of future confusion.
This confusion, we have, we are so entangled. "Sunny days" and "Devils on the Doorstep" domestic banned as a director, his work is not the same audience, this is a painful thing. Of course, most of us from other sources to obtain these resources, and looked into it Niubi Jiang Hong Hong's talent, this is something for. However, not theaters in the country, meant that he be profitable, also means that he has not the opportunity to display their talent. Perhaps in the minds of such, the "The Sun Also Rises" was born, with his hopes and dreams. However, we fully understand his language, he took a few steps before us.
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