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http://en.wikipedia.com/wiki/The_Devil_Wears_Prada_(film）
http://www.imdb.com/title/tt0458352/plotsummary

The Devil Wears Prada is a 2006 comedy-drama film, a loose screen adaptation of Lauren Weisberger's 2003 novel of the same name. It stars Anne Hathaway as Andy Sachs, a recent college graduate who goes to New York City and gets a job as a co-assistant to powerful and demanding fashion magazine editor Miranda Priestly, played by Meryl Streep. Emily Blunt and Stanley Tucci co-star in support of the two leads, as catty co-assistant Emily Charlton, and critical yet supportive Art Director Nigel, respectively. Adrian Grenier, Simon Baker and Tracie Thoms play key supporting roles. Wendy Finerman produced and David Frankel directed; the film was distributed by 20th Century Fox.

Streep's performance drew rave reviews from critics and later earned her many award nominations, including her record-setting 14th Oscar bid, as well as a Golden Globe for Best Actress in a Comedy or Musical. Blunt also drew favorable notice and nominations, as did many of those involved in the film's production. While critical reaction to the film as a whole was more measured, it was well received by the public becoming a surprise summer box-office hit following its June 30 North American release. The commercial success and critical praise for Streep's performance continued in foreign markets, with the film leading the international box office for most of October. The U.S. DVD release likewise was the top rental during December. Ultimately, it would gross over $300 million, mostly from its international run, and finish in 2006's top 20 both in the U.S. and overseas. It is also the 2nd highest-grossing film in Streep's career (the first being Mamma Mia!) and the highest grossing in Hathaway's.

Although the movie is set in the fashion world, most designers and other fashion notables avoided appearing as themselves for fear of displeasing U.S. Vogue editor Anna Wintour, who is widely believed to have been the inspiration for Priestly. Many designers did, however, allow their clothes and accessories to be used in the film, making it the most expensively-costumed film in history.[2] Wintour later overcame her initial skepticism,[3] saying she liked the film and Streep in particular.
[edit] Plot
Andrea "Andy" Sachs (Anne Hathaway), an aspiring journalist fresh out of Northwestern University, lands the magazine job "a million girls would kill for": junior personal assistant to icy editor-in-chief Miranda Priestly (Meryl Streep), who dominates the fashion world from her perch atop Runway magazine. She puts up with the eccentric and humiliating requests of her boss because, she is told, if she lasts a year in the position she will get her pick of other jobs, perhaps even the journalistic position she truly craves.

At first, she fits in poorly among the gossipy fashionistas who make up the magazine staff. Her lack of style or fashion knowledge and fumbling with her job make her an object of scorn around the bustling office. Senior assistant Emily Charlton (Emily Blunt), her co-worker, is condescending to her. Gradually, though, with the help of art director Nigel (Stanley Tucci), Andy adjusts to the position and its many perks, including free designer clothing and other choice accessories. She begins to dress more stylishly and do her job competently, fulfilling a seemingly impossible request of Miranda's to get two copies of an unpublished Harry Potter manuscript to her daughters.

She also comes to prize chance encounters with attractive young writer Christian Thompson (Simon Baker), who helped her obtain the Potter manuscript and suggests he could help her with her career. Her relationships with her boyfriend Nate (Adrian Grenier), a chef working his way up the career ladder, and other college friends begin to suffer due to the increasing time she spends at Miranda's beck and call.

Shortly afterwards, Andy saves Miranda from social embarrassment at a charity benefit when the cold-stricken Emily falters in reminding Miranda with information about an approaching guest. As a result, Miranda tells Andrea that she will accompany her to the fall fashion shows in Paris, rather than Emily. Miranda warns Andy that if she declines, it could adversely affect her future job prospects. Emily is hit by a car before Andy can tell Emily the next morning, making her choice moot.

During a gallery exhibit of her friend Lily's photography, Andy again encounters Christian, who openly flirts with her, much to the shock and disgust of Lily, who witnesses it all. After Lily calls her out and walks away, Andy bumps into Nate. When she tells him she will be going to Paris, he is angered by her refusal to admit she's become what she once ridiculed. They break up in the middle of the street the night before she leaves for Paris.

In Paris, Nigel tells Andy that he has gotten a job as creative director with rising fashion star James Holt (Daniel Sunjata), at Miranda Priestly's recommendation, and will finally be in charge of his own life. She finally succumbs to Christian's charms, and sees her boss let down her guard for the first time as she worries about the effect an impending divorce will have on her daughters. In the morning, Andrea finds out about a plan to replace Miranda as Runway editor with Jacqueline Follet, editor of the magazine's French edition, later that day. Despite the suffering she has endured at her boss's behest, she attempts to warn Miranda.

At a luncheon later that day, however, Miranda announces that it is Jacqueline instead of Nigel who will leave Runway for Holt. Later, when the two are being driven to a show, she explains to a still-stunned Andrea that she was grateful for the warning but already knew of the plot to replace her and sacrificed Nigel to keep her own job. Pleased by this display of loyalty, she tells Andrea she sees some of herself in her. Andrea, repulsed, said she could never do to anyone what Miranda did to Nigel, primarily as Nigel mentored Andrea. Miranda replies that she already did, stepping over Emily when she agreed to go to Paris. Andrea questions if the cut-throat fashion industry is truly where she wants to be and Miranda replies that "everybody wants to be us".

Andrea gets out of the limo at the next stop, going not into the show with Miranda but out into the street, where instead of answering yet another call from her boss, she throws her cell phone into the fountain of the Place de la Concorde, leaving Miranda, Runway and fashion behind.

Later, back in New York, she meets Nate for breakfast. He has accepted an offer to work as a sous-chef in a popular Boston restaurant. Andrea is disappointed, but her hope is rejuvenated when he says they could work something out. At the film's conclusion, she is interviewing for a newspaper job. The interviewer reveals that he received a fax from Miranda saying she was by far her biggest disappointment, but that if he did not hire her, he was an idiot. Andrea offers Emily the clothes she wore to Paris, insisting she doesn't need them anymore. Emily accepts and tells Andrea's replacement she has some large shoes to fill. In the last scene, Andrea, dressed casually but with a bit more style, sees Miranda getting into her car across the street. They exchange looks and Miranda gives a soft smile once inside the car. She then snaps back to her usual self and impatiently says "Go!" to the driver.
[edit] Acting
Streep made a conscious decision not to play the part as a direct impression of Wintour,[17] right down to not using an accent and making the character American rather than English ("I felt it was too restricting").[10] "I think she wanted people not to confuse the character of Miranda Priestly with Anna Wintour at all," said Frankel. "And that's why early on in the process she decided on a very different look for her and a different approach to the character."[4] The "that's all,"[18] "please bore someone else ..."[19] catch phrases; her coat-tossing on Andrea's desk[20] and discarded steak lunch[21] are retained from the novel. Streep prepared by reading a book by Wintour protegé Liz Tilberis and the memos of legendary Vogue editor Diana Vreeland. She lost enough weight during shooting that the clothes had to be taken in.[17]

Hathaway prepared for the part by volunteering for a week as an assistant at an auction house; Frankel said she was "terrified" before starting her first scene with Streep. The older actress began her working relationship with Hathaway by saying first "I think you're perfect for the role and I'm so happy we're going to be working on this together" then warning her that was the last nice thing she would say.[22] Streep applied this philosophy to everyone else on set as well, keeping her distance from the cast and crewmembers unless it was necessary to discuss something with her.[11]

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