求《海上钢琴师》1900最后独白

如题,谢谢
2024-12-04 00:49:32
推荐回答(5个)
回答1:

原文和翻译如下:

Moonlight city. You just couldn’t see an end to it.

偌大的城市,绵延无尽。

It wasn’t what I saw that stopped me ,Max.

并非是我眼见的让我停住了脚步,

It was what I didn’t see.

而是我所看不见的。你能明白吗?

Take the piano.

拿钢琴来说。

Keys begin. Keys end.

键盘有始亦有终。

You know there are 88 of them.

你确切地知道88个键就在那儿,错不了。

They’re not infinite. You’re infinite.

它们并不是无限的,而你,才是无限的。

And on those keys, the music that you can make is infinite.

你能在键盘上表现的音乐是无限的。

I like that. That I can live by.

我喜欢这样,我能轻松应付。

But you get me up on that gangway, and you roll them out in front of me.

而你现在让我走过跳板,走到城市里,

Keyboards have millions and billions of keys that never end.

等着我的是一个没有尽头的键盘。

That keyboard is infinite.

Then on that keyboard there’s no music you can play.

我又怎能在这样的键盘上弹奏呢?

That’s God’s piano.

那是上帝的键盘啊!

Did you see the streets?

你看到那数不清的街道吗?

There’re thousands of them.

How do you choose just one?

如何只选择其中一条去走?

One woman, one house, one way to die…….

一个共渡一生的女人,一幢属于自己的屋子,一种生与死的方式。。。

You don’t even know where it comes to an end.

你甚至不知道什么时候才是尽头。

Aren’t you ever just scared of breaking apart with the thought of it?

一想到这个,难道不会害怕、会崩溃吗?

I was born on this ship.

我在这艘船上出生。

And the world passed me by.But 2000 people at a time and there’re old wishes here.

世事千变万化,然这艘船每次只载2000人。

But nevermore that fit between prow and stern..

这里有着希望,但仅在船头和船尾之间。

You played out your happiness bit on a piano that was not infinite.

你可以在有限的钢琴上奏出你的欢欣快乐。

I learned to live that way.

我习惯了这样的生活。

Land?

陆地?

Land is a ship too big for me,

陆地对我来说是一艘太大的船,

It’s a woman too beautiful, a bridge too long, perfume to strong, music I don’t know how to play.

太漂亮的女人,太长的旅程,太浓烈的香水,无从着手的音乐。

I can never get off this ship.

我永远无法走下这艘船,

At best, I didn’t step off my life.

这样的话,我宁可舍弃我的生命。

After all, I don’t exist for anyone.

毕竟,我从来没有为任何人存在过,不是么?

扩展资料:

海上钢琴师1900的精神内涵:

《海上钢琴师》的精神内核无疑是纯真与自由。天赋秉异的1900就是这样的象征,他放荡不羁、不为世俗所动,只因演奏是他毕生所爱,他不必下船只要一直沉浸在音乐中就得到了最纯粹的快乐。

该片是献给那些始终向往单纯、远离喧嚣的人,纯真是他们固有的属性,不会因为时间而改变。

剧情简介:

1900年,Virginian号豪华邮轮上,一个孤儿被遗弃在头等舱,由船上的水手抚养长大,取名1900(蒂姆•罗斯 饰)。

1900慢慢长大,显示出了无师自通的非凡钢琴天赋,在船上的乐队表演钢琴,每个听过他演奏的人,都被深深打动。爵士 乐鼻祖杰尼听说了1900的高超技艺,专门上船和他比赛,最后自叹弗如,黯然离去。 

可惜,这一切的事情都发生在海上,1900从来不愿踏上陆地,直到有一天,他爱上了一个女孩,情愫在琴键上流淌。他会不会为了爱情,踏上陆地开始新的生活,用他的琴声惊艳世界,他将怎样谱写自己非凡的人生。

参考资料:

百度百科--海上钢琴师

回答2:

《海上钢琴师》1900最后独白如下:

“陆上的人喜欢寻根究底,虚度很多的光阴。冬天忧虑夏天的迟来,夏天担心冬天的将至。所以你们不停到处去追求一个遥不可及、四季如夏的地方—我并不羡慕。”

Why why why why why... I think land people waste a lot of time wondering why. Winter comes they can't wait for summer; summer comes they're living drilled of winter. That's why you're never tired of travelling, with chasing some place far away, where there's always summer. That doesn't sound like a good bet to me.

“城市那么大,看不到尽头。在哪里 ? 我能看到吗 ? 就连街道都已经数不清了,找一个女人,盖一间房子,买一块地,开辟一道风景,然后一起走向死路。太多的选择,太复杂的判断了,难道你不怕精神崩溃吗 ? 陆地,太大了,他像一艘大船,一个女人,一条长长的航线,我宁可舍弃自己的生命,也不愿意在一个找不到尽头的世界生活,反正,这个世界现在也没有人知道我。我之所以走到一半停下来,不是因为我所能见,而是我所不能见。”

“键盘有始有终,你确切知道 88 个键就在那儿,错不了。它并不是无限的,而音乐,才是无限的。你能在键盘上表现的音乐是无限的,我喜欢这样,我能轻松应对,而你现在让我走过跳板,走到城市里,等着我的是一个没有尽头的键盘,我又怎能在这样的键盘上弹奏呢 ? 那是上帝的键盘啊 ! ”

“All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very

fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There

was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't

see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the

“所有那些城市,你就是无法看见尽头。尽头?拜托!拜托你给我看它的尽头在哪?当时,站在舷梯向外看还好。我那时穿着大衣,感觉也很棒,觉得自己前途无量,然后我就要下船去。放心!完全没问题!可是,阻止了我的脚步的,并不是我所看见的东西,而是我所无法看见的那些东西。你明白么?我看不见的那些。在那个无限蔓延的城市里,什么东西都有,可惟独没有尽头。根本就没有尽头。我看不见的是这一切的尽头,世界的尽头。”

“Take a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different.

They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can

live by. ”

“拿一部钢琴来说,从琴键开始,又结束。你知道钢琴只有88个键,随便什么琴都没差。它们不是无限的。你才是无限的,在琴键上制作出的音乐是无限的。我喜欢这样,我活的惯。”

“You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions

of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is

“你把我推到舷梯上然后扔给我一架有百万琴键的钢琴,百万千万的没有尽头的琴键,那是事实,max,它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的,那么在那架琴上就没有你能弹奏的音乐,你坐错了地方,那是上帝的钢琴。”

“Christ! Did, did you see the streets? Just the streets… There were thousands of them! And how do you do it down there?

How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one

way to die... ”

“天啊!你……你看过那些街道吗?仅仅是街道,就有上千条!你下去该怎么办?你怎么选择其中一条来走?怎么选择“属于你自己的”一个女人,一栋房子,一块地,或者选择一道风景欣赏,选择一种方法死去。 ”

“All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it? ”

“那个世界好重,压在我身上。你甚至不知道它在哪里结束,你难道从来不为自己生活在无穷选择里而害怕得快崩溃掉吗?”

“I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here,

but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I

learned to live that way. ”

”Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone.

You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it.

Forgive me, my friend, but I'm not getting off.”

“陆地?陆地对我来说是一艘太大的船,一个太漂亮的女人,一段太长的旅行,一瓶太刺鼻的香水,一种我不会创作的音乐。我永远无法放弃这艘船,不过幸好,我可以放弃我的生命。反正没人记得我存在过,而你是例外,max,你是唯一一个知道我在这里的人。你是唯一一个,而且你最好习惯如此。原谅我,朋友,我不会下船的。”

我可以在有限的钢琴键中创造出无限的旋律,但我无法在无限的城市中,无尽的街道间找到属于我的空间。

这是个秘密,秘密是不应该被公开的

令我恐惧的不是我所见,而是我所未见。 


扩展资料:

《海上钢琴师》是由朱塞佩·托纳托雷执导,蒂姆·罗斯、比尔·努恩、梅兰尼·蒂埃里主演的剧情片。该片于1998年10月28日在意大利上映。

该片改编自亚利桑德罗·巴里克文学剧本《1900:独白》,讲述了一个被命名为“1900”的弃婴在一艘远洋客轮上与钢琴结缘,成为钢琴大师的传奇故事。

参考资料:《海上钢琴师》-百度百科

回答3:

“陆上的人喜欢寻根究底,虚度很多的光阴。冬天忧虑夏天的迟来,夏天担心冬天的将至。所以你们不停到处去追求一个遥不可及、四季如夏的地方—我并不羡慕。”
  Why why why why why... I think land people waste a lot of time wondering why. Winter comes they can't wait for summer; summer comes they're living drilled of winter. That's why you're never tired of travelling, with chasing some place far away, where there's always summer. That doesn't sound like a good bet to me.
  “城市那么大,看不到尽头。在哪里 ? 我能看到吗 ? 就连街道都已经数不清了,找一个女人,盖一间房子,买一块地,开辟一道风景,然后一起走向死路。太多的选择,太复杂的判断了,难道你不怕精神崩溃吗 ? 陆地,太大了,他像一艘大船,一个女人,一条长长的航线,我宁可舍弃自己的生命,也不愿意在一个找不到尽头的世界生活,反正,这个世界现在也没有人知道我。我之所以走到一半停下来,不是因为我所能见,而是我所不能见。”
  “键盘有始有终,你确切知道 88 个键就在那儿,错不了。它并不是无限的,而音乐,才是无限的。你能在键盘上表现的音乐是无限的,我喜欢这样,我能轻松应对,而你现在让我走过跳板,走到城市里,等着我的是一个没有尽头的键盘,我又怎能在这样的键盘上弹奏呢 ? 那是上帝的键盘啊 ! ”
  “All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very
  fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There
  was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't
  see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the
  whole thing came to an end. The end of the world... ”
  “所有那些城市,你就是无法看见尽头。尽头?拜托!拜托你给我看它的尽头在哪?当时,站在舷梯向外看还好。我那时穿着大衣,感觉也很棒,觉得自己前途无量,然后我就要下船去。放心!完全没问题!可是,阻止了我的脚步的,并不是我所看见的东西,而是我所无法看见的那些东西。你明白么?我看不见的那些。在那个无限蔓延的城市里,什么东西都有,可惟独没有尽头。根本就没有尽头。我看不见的是这一切的尽头,世界的尽头。”
  “Take a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different.
  They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can
  live by. ”
  “拿一部钢琴来说,从琴键开始,又结束。你知道钢琴只有88个键,随便什么琴都没差。它们不是无限的。你才是无限的,在琴键上制作出的音乐是无限的。我喜欢这样,我活的惯。”
  “You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions
  of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is
  infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. ”
  “你把我推到舷梯上然后扔给我一架有百万琴键的钢琴,百万千万的没有尽头的琴键,那是事实,max,它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的,那么在那架琴上就没有你能弹奏的音乐,你坐错了地方,那是上帝的钢琴。”
  “Christ! Did, did you see the streets? Just the streets… There were thousands of them! And how do you do it down there?
  How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one
  way to die... ”
  “天啊!你……你看过那些街道吗?仅仅是街道,就有上千条!你下去该怎么办?你怎么选择其中一条来走?怎么选择“属于你自己的”一个女人,一栋房子,一块地,或者选择一道风景欣赏,选择一种方法死去。 ”
  “All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it? ”
  “那个世界好重,压在我身上。你甚至不知道它在哪里结束,你难道从来不为自己生活在无穷选择里而害怕得快崩溃掉吗?”
  “I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here,
  but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I
  learned to live that way. ”
  “我是在这艘船上出生的,整个世界跟我并肩而行,但是,行走一次只携带两千人。这里也有欲望,但不会虚妄到超出船头和船尾。你用钢琴表达你的快乐,但音符不是无限的。我已经习惯这么生活。”
  “Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone.
  You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it.
  Forgive me, my friend, but I'm not getting off.”
  “陆地?陆地对我来说是一艘太大的船,一个太漂亮的女人,一段太长的旅行,一瓶太刺鼻的香水,一种我不会创作的音乐。我永远无法放弃这艘船,不过幸好,我可以放弃我的生命。反正没人记得我存在过,而你是例外,max,你是唯一一个知道我在这里的人。你是唯一一个,而且你最好习惯如此。原谅我,朋友,我不会下船的。”
  我可以在有限的钢琴键中创造出无限的旋律,但我无法在无限的城市中,无尽的街道间找到属于我的空间。
  这是个秘密,秘密是不应该被公开的
  令我恐惧的不是我所见,而是我所未见。

回答4:

1900: Moonlight city. You just couldn’t see an end to it.
It wasn’t what I saw that stopped me ,Max.
It was what I didn’t see.
Take the piano.
Keys begin. Keys end.
You know there are 88 of them.
They’re not infinite. You’re infinite.
And on those keys, the music that you can make is infinite.
I like that. That I can live by.
But you get me up on that gangway, and you roll them out
in front of me.
Keyboards have millions and billions of keys that never end.
That keyboard is infinite.
Then on that keyboard there’s no music you can play.
That’s God’s piano.

Did you see the streets?
There’re thousands of them.
How do you choose just one?
One woman, one house, one way to die…….
You don’t even know where it comes to an end.
Aren’t you ever just scared of breaking apart with the
thought of it?

I was born on this ship.
And the world passed me by.
But 2000 people at a time and there’re old wishes here .
But nevermore that fit between prow and stern..
You played out your happiness bit on a piano that was not
infinite.
I learned to live that way.

Land?
Land is a ship too big for me,
It’s a woman too beautiful, a bridge too long, perfume to
strong, music I don’t know how to play.
I can never get off this ship.
At best, I didn’t step off my life.
After all, I don’t exist for anyone.

偌大的城市,绵延无尽。
并非是我眼见的让我停住了脚步,
而是我所看不见的。你能明白吗?

拿钢琴来说。
键盘有始亦有终。
你确切地知道88个键就在那儿,错不了。
它们并不是无限的,而你,才是无限的。你能在键盘上表现的音乐是无限的。
我喜欢这样,我能轻松应付。
而你现在让我走过跳板,走到城市里,
等着我的是一个没有尽头的键盘。
我又怎能在这样的键盘上弹奏呢?
那是上帝的键盘啊!

你看到那数不清的街道吗?
如何只选择其中一条去走?
一个共渡一生的女人,一幢属于自己的屋子,一种生与死的方式~~~~
你甚至不知道什么时候才是尽头。
一想到这个,难道不会害怕、会崩溃吗?

我在这艘船上出生。
世事千变万化,然这艘船每次只载2000人。
这里有着希望,但仅在船头和船尾之间。
你可以在有限的钢琴上奏出你的欢欣快乐。
我习惯了这样的生活。

陆地?
陆地对我来说是一艘太大的船,
太漂亮的女人,太长的旅程,太浓烈的香水,无从着手的音乐。
我永远无法走下这艘船,
这样的话,我宁可舍弃我的生命。
毕竟,我从来没有为任何人存在过

回答5:

2005/8/7
《海上钢琴师》1900 最后的独白

--------------------------------------------------------------------------------

(《海上钢琴师》是我最爱的电影之一,结尾处的那段对话让我终生难忘~~~)

麦斯在船中一遍遍播放那首无名的曲子,终于引出了1900。

1900:Hi,麦斯,什么事?晕船浪?(这是两个人第一次见面1900对他说的话)

1900:在哪里找到唱片的?

麦斯:这么多年来你在干什么?

1900: 弹琴

麦斯:即使战时?

1900:即使没有人跳舞,即使炸弹掉下来,我一直弹,弹到船驶到这里来。

麦斯:这还算是船?这是一个随时爆炸的炸弹,不觉得危险吗?

1900:近况如何?麦斯?你的喇叭呢?

麦斯:我也搁置很久了,但现在又兴致勃勃,打算东山复出,灵感源源不绝,我们可以搞个二重奏,组织一个乐队,丹尼·伯曼·TD·林蒙·1900乐队,想起就兴奋,我们会大红大紫。1900,跟我走吧,下船去,我们在码头上看炸船,然后重头开始,人生有时就是这样,重头做起。只要你有好故事可以讲,有人肯听,你还未完蛋,记得吗?是你说的,你现在有一摞摞精彩故事,全世界都会为你的谈吐着迷,为你的音乐疯狂。我可以保证!

1900:城市那么大,看不到尽头,尽头……在哪里?可以给我看看尽头吗?当年,我踏上跳板,不觉得困难。我穿上大衣,很神气,自觉一表人才,有决心,有把握,有信心。我停下来,不是因为所见的,是因为我看不见的。你明白吗?是因为看不见的东西,连绵不绝的城市,除了尽头,什么都有,没有尽头,我看不见……城市的尽头!我需要看得见世界的尽头。拿钢琴来说,键盘有始有终,有88个键,错不了,并不是无限的,音乐是无限的。在琴键上,奏出无限的音乐,我喜欢,我应付得来。走过跳板,前面的键盘……有无数的琴键,事实如此,无穷无尽,键盘无限大。无限大的键盘,怎奏得出音乐?这钢琴不是给凡人的,是给上帝演奏的。街道好几千条,上了岸,何去何从?爱一个女人,住一间屋,买一块地,望一个景,选择一种死法。太多选择,我无所适从。漫无止境,茫茫无际,思前想后,你不怕精神崩溃?那样的日子怎么过?我生于船,长于船。世界千变万化,这艘船每次只是载客两千,既载人,也载梦想,但范围离不开船头船尾之间。在有限的钢琴上,我自得其乐,我过惯那样的日子。陆地?对我来说,陆地就像是艘太大的船,是位太美的美女,是瓶太浓的香水,是条太长的旅行,是篇无从弹奏的乐章,我没法舍弃这艘船。我宁可......舍弃自己的生命。反正,世间没有人记得我,除了你,麦斯,只有你知道我在这里。你属于少数,你最好习惯一下,朋友,原谅我。我不下船了。

麦斯悲伤的离开,走上梯子的高处,1900叫住他。

1900:当我站在天国大门外,圣人查生死册,查不到我的名字。

(1900想像模仿圣人和自己的对话)

你叫什么?

1900。

再说一遍。

1900

名单上只有易久零,伊龄……

圣人先生,我在船上出生,生于船,长于船,死于船,也许因此册上无名。

怎么死的?

六吨炸药,怦!

炸死?

是的。

现在痛不痛?

还好只是炸掉一条胳膊

炸掉哪条胳膊?

左臂。

抱歉,士多房只有右臂

两条右臂?

你肯不肯将就将就?

怎样?

在左边装上右臂

既然如此,两条右臂好过没有左臂

对极了。

(麦斯呵呵笑出声)

麦斯,你可不能笑啊。我就笑不出来,永远两条右臂,怎样在胸前划十字?

(麦斯似乎一直在陪着他笑,但是含泪的笑。)

1900:Hi,麦斯,希望天堂有钢琴

麦斯黯然离开

炸药安装好,船被运出港,停在海湾的某个地方。1900在船上伸出双手,虚弹着他最初碰触钢琴所弹的那首曲子,那首曲子在原声大碟中的英文名字好像叫:《莫扎特再生》。

炸弹爆炸,一个传奇结束。

(……Land? Land is a ship too big for me, It’s a woman too beautiful, a bridge too long, perfume to strong, music I don’t know how to play. I can never get off this ship, At best, I didn’t step off my life. After all, I don’t exist for anyone.. …… 陆地?陆地对我来说是一艘太大的船,太漂亮的女人,太长的旅程,太浓烈的香水,无从着手的音乐。我永远无法走下这艘船,这样的话,我宁可舍弃我的生命。毕竟,我从来没有为任何人存在过,不是么? )