汉译英（论文摘要翻译）

Our current design practice often referred to, in fact, is designed not only with the external community into the issue of the international community, as well as space and history, the history of the problem into context, however, the design of contemporary China in the status quo, because of people's impetuous psychological媚外directly led to the prevailing ideology, and even a "foreign round than the Chinese moon" fallacy. As we all know, in the design practice, the most important thing is the work involved in the traditional and the modern nation and the world the principle of grammatical issues. Therefore, we must now put their location ------ Western integration in mainly; ancient and modern combine to this mainly; origins combined with source-based.
In this paper, from the traditional and modern, as well as the nation with the world's two aspects to the design of China must be based on China's soil, rooted in profound Chinese culture and traditions. To find the traditional design of our home. Of course. "Localization" does not mean that the refusal of foreign styles and foreign culture. I hope that this paper identified that can lead to more people. Also hope to inspire as many young designers in our country the study of Chinese traditional culture, traditional ideas, traditional crafts, traditional graphics, and then create the basis of these, the development of a very modern, at the same time the design of rich flavor to the nation.我们当前经常提到设计上接轨的问题，其实设计不仅存在跟外部社会国际社会接轨的问题，还有和历史空间,历史文脉的接轨问题，然而在当代中国的设计现状中，由于国民的浮躁心理直接导致了媚外思想的普遍呈现，甚至出现了“外国的月亮比中国的圆”的谬论。我们都知道，在设计实践中，最重要的就是涉及作品的传统与现代，民族与世界的语法运用的原则问题.因此我们现在必须摆正它们的位置------中西结合，以中为主；古今结合，以今为主；源流结合，以源为主。
本文主要从传统和现代，以及民族与世界两大方面入手，来阐述中国设计必须立足于中国的土壤，根植于中国本土的深厚文化传统。到传统中去寻找我们的本土设计。当然.“本土化”并不意味着拒绝外来风格和外来文化。笔者希望这种本文的这种指认能引起更多的人的关注。也希望以此来启发我国青年设计师多研究中国的传统文化,传统思想,传统工艺,传统图形，然后依据这些进行创作，发展出极具时代感，同时富有民族气息的设计来。

Our current design practice often referred to, in fact, is designed not only with the external community into the issue of the international community, as well as space and history, the history of the problem into context, however, the design of contemporary China in the status quo, because of people's impetuous psychological foreign directly led to the prevailing ideology, and even a "foreign round than the Chinese moon" fallacy. As we all know, in the design practice, the most important thing is the work involved in the traditional and the modern nation and the world the principle of grammatical issues. Therefore, we must now put their location ------ Western integration in mainly; ancient and modern combine to this mainly; origins combined with source-based.
In this paper, from the traditional and modern, as well as the nation with the world's two aspects to the design of China must be based on China's soil, rooted in profound Chinese culture and traditions. To find the traditional design of our home. Of course. "Localization" does not mean that the refusal of foreign styles and foreign culture. I hope that this paper identified that can lead to more people. Also hope to inspire as many young designers in our country the study of Chinese traditional culture, traditional ideas, traditional crafts, traditional graphics, and then create the basis of these, the development of a very modern, at the same time the design of rich flavor to the nation.

Our current design practice often referred to, in fact, is designed not only with the external community into the issue of the international community, as well as space and history, the history of the problem into context, however, the design of contemporary China in the status quo, because of people's impetuous psychological媚外directly led to the prevailing ideology, and even a "foreign round than the Chinese moon" fallacy. As we all know, in the design practice, the most important thing is the work involved in the traditional and the modern nation and the world the principle of grammatical issues. Therefore, we must now put their location ------ Western integration in mainly; ancient and modern combine to this mainly; origins combined with source-based.
In this paper, from the traditional and modern, as well as the nation with the world's two aspects to the design of China must be based on China's soil, rooted in profound Chinese culture and traditions. To find the traditional design of our home. Of course. "Localization" does not mean that the refusal of foreign styles and foreign culture. I hope that this paper identified that can lead to more people. Also hope to inspire as many young designers in our country the study of Chinese traditional culture, traditional ideas, traditional crafts, traditional graphics, and then create the basis of these, the development of a very modern, at the same time the design of rich flavor to the nation.

We often mentioned in the design of the standards, actually exist not only design with international standards of external social problems, and the history of historical context, connect space in contemporary China, however, due to the design of the national fickleness led directly to the common design ideas, even the moon "foreign than China" fallacy. We all know that, in the design practice, the most important is to involve the work of traditional and modern nation and world, the principle of using the grammar. So now we must put them in position, in western - give priority to, At present, to give priority to, Combined with the source, the origin.
This article mainly from the traditional and modern, and the nation and world two aspects, and expounds the design must base on China in soil, the deep rooted in local culture. To traditional to find our native design. Of course. "localization" does not mean that refused to foreign style and foreign culture. The author hope this paper can identify the cause more people's attention. Also hope to inspire our young stylist more research of traditional Chinese culture, traditional thought, the traditional process, the traditional graphics, and then, on the basis of the development of The Times, at the same time, extremely rich flavor of design.