1，《写归水厂的女工们》，这首诗的主要意义很好，内容衔接上却有的拖拉。因为他没有删除日常琐碎的东西，把日常的琐事也写了进去，如刷牙、煮粥、淘洗菜叶、中午进餐、下午开会、晚上回家、他的意思是说明这些均与水有关。面对这样的叙述，得有一种去掉自己浮躁心情的那种理解和谅解。而庆幸的是，我们的耐心阅读毕竟有了回报。我们终于在诗人不忌讳日常琐碎事的诗中，感受到了在窗下读书窗外水面犹如月光的诗意，终于感受到主持会议的女书记的嗓音里的有水面一样的宁静和清澈泉水一样的气息。我们因为在仔细阅读中有了收获，因为有了收获而感到满足。但是，允许我们反过来问一句，为什么要让我们这样仔细的，细心的阅读，反复的认真的阅读才有了收获和满足呢？
读诗的人总是这样，总有一种对诗的痴迷和偏爱。我们有自己的追求。我们总是顽强地寻求那些隐藏在词语背后的幻觉和想象，寻求那些日常生活中没有的美好一面。从这个角度看，这位诗人笔下的拟人手法，好象桃花会呼吸，柳树的枝条会累，就显示出更迷人的风景。《下半夜》很有早期朦胧诗的感觉，令人想起北岛（日本诗人）和芒克（诗人）的那些意象诗。读的时候有进入诗中情景一般，一会到这一会去那、诗句简单而含义却有丰富的内容。
王顺彬的诗，水平有的好有的不好，不是很一样。有的诗，因为前面说的那种不忌讳日常琐碎东西的偏爱，写入一些就比如“我听得躺不住了”、突然明白了“之类的没有深刻意义的描写，而显得缺乏诗的含韵。但在另一些诗中，却展现作者惊人的才华。最动人的是《最初的黎明》——鸡鸣喷出最高的一朵火焰
《写归水厂的女工们》，无法理解这个标题的含义，容我先望文生义一回。另外第一段的“繁荣”或许是“繁冗”之误，但译文仍从原文。
1，《写归水厂的女工们》，此诗立意甚佳，行文却有些缠绕。因为他不避日常的琐碎入诗，把一些生活的“原样”嵌入诗中，如刷牙、煮粥、淘洗菜叶、中午进餐、下午开会、晚上回家、意在言明这些均与水有关。面对这样的叙述，得有一种排除焦躁的宽容。而庆幸的是，我们的耐心“跟随”毕竟有了回报。我们终于在诗人不避世常的繁荣中，“发现”了“临窗诵读”“水如月光”的诗意，终于“发现”主持会议的女书记的嗓音里的“水的清香和宁静”。我们因寻觅而拥有，因拥有而满足。但是，容我们反问，为何要让我们进行如此艰难的“跋涉”？
In "Girls Returning to the Waterworks", the wonderful poetic conception is conveyed through a somewhat complicated writing style. Instead of ignoring humankind's petty triflings, the author embedded some "original state" of life including brushing teeth, making the congee, washing the vegetables into his lines. We have the lunch at noon, then the afternoon meetings, and go home in the evening. All these, according to the author, have something to do with water. Such plain narration requires our tolerance before we are dominated by an impatient mood. Fortunately, our close peruse is finally rewarded, by seeing through the bustling world that the poet intended to dramatize. We are able to "find" the poetic lines like "Reading beneath the window" or "moonlight-like water", or the "sweetness and transquility" in the tone of the seceratary, who is the lady chairing the meeting. In a nutshell, peruse leads to possession and possession leads to pleasure---However, we still have the right to ask: Is such a painstaking experience really needed?
读诗的人总是这样，总有一种倾心于这种漂浮的诗意的痴迷。我们有自己的寻求。我们总是顽强地寻求那些隐藏在词语背后的幻觉和想象，寻求那些似乎与生活有些“距离”的“幻觉”。从这个角度看，这位诗人笔下的“喘息的桃花”，“累得很翠的柳条”，就有着十分迷人的风景。《下半夜》颇有早期朦胧诗的余韵，令人想起北岛和芒克的那些意象诗。“整个人都在下沉 故乡般的寒冷”，跳荡、凝练而丰盈。
It is always true to poem readers, who are engaged in their self-defined pursuit of metaphysical poetry. We are pursuing stubbornly, for the illusion and imagination behind the lines, and for the so-called "fantasy" beyond our routine life. In this sense, words like "peach flowers gasping for breath" or the "green color sweeping over willow branches out of weariness" present a charming sight to us. Some elements in "After Midnight" may be considered an inheritance from early hazy poetry by reminding us of the image poetry by Bei Dao and Mang Ke. "The whole of me is sinking, in the kind of frigidity in my homeland" may be cited as an example of his subtle, succinct but meaningful lines.
王顺彬的诗，水平有参差，不甚齐整。有的诗，因为前述那种“不避俗句”的倾向，涌入一些诸如“我听得躺不住了”、突然/明白了“之累的浅露的描写，而显得缺乏意韵。但在另一些诗中，却展现作者惊人的华彩。最动人的是《最初的黎明》——鸡鸣喷出最高的一朵火焰
Some noticeable difference in quality can be found in Wang Shunbin's poems. A few of them are deprived of poetic conception for his tendency of using plain sentences such as " I can not lay there any more on hearing that" and "all of a sudden I understand". Meanwhile, the poet's impressive talent has been proven in other ones. We can find his most stunning creation in "The Very Initial Dawn".
"The cock crows, spewing out a highest ball of flame"
马路天使--Street Angel, 老电影的名字了
1, " writing with the female workers who belong to the water works ", this poem conception is very good, compose a piece of writing but some twine . Because he does not avoid daily entering poems triflingly , imbeds some " former states " of life in poems, such as brushing teeth, boiling the gruel, eluriating leaf of the vegetables , having meal , having a meeting , going home , purpose in the evening in the afternoon at noon to explain these and relating to water . In the face of such a narration, there must be one kind and get rid of impatient tolerance. And the one that is happpy is, our patience " following " is reciprocated after all . We were in the prosperity that the poet does not often retire from the world at last, the poesy that " water was like the moonlight " that " found " and " faced the window and read aloud ", " find " in the woman voice of secretary to preside over meeting" water fragrant and quiet " finally. We have because of seeking, live in fully because of having. However, hold us to reply, why let us carry on so difficult " scaling and ford "?
The person who reads poem always always has a kind of infatuated cordial in this kind of poesy of floating one like this. We have one's own seeking . We always seek to hide illusion and imagination behind word in those doggedly, seeking those seems and " illusion " of some " distances " lives. Watch from the angle, " peach blossom that wheeze " in the works of the the poet, " getting tired green wicker very ", there is rice people's scenery very much. Yu Yun with early misty poetry of " the time after midnight ", makes people remember north island and those image poems of gram of awn . " cold that the whole person is sinking like the homeland ", jump and swing , condensed and full and round.
Wang Shun's refined poem, the level is uneven, not very neat . Some poem is because that aforesaid for inclination that " avoid sentence not vulgar" kind,it pour into such as " afford to listen to I " , not suddenly for some / understand " hard description that reveal not shallow, and seem to lack the purpose musical sound . But in other poems , represent author's surprising elegance . The most moving one is " initial dawn " - -The chicken chirps and squirts highest a piece of flame
2, day teacher of the road
用
1, "wrote the women were under water," sohloquy original intentions are good, and there were some misunderstandings lines. Because he is not avoiding the trivial daily into poetry, some life "intact" embedded poem, such as brushing teeth, conjee, harvesting yield. noon lunch, afternoon meetings, at home, they were intended to clear the water. Faced with this description, and must have a tolerance exclude agitation. And fortunately, our patience "with" After all, with returns. We finally poet is not very notion of prosperity, "discovered" the "Linchuang recite" "Moonlight water as" poetic. finally "discovered" the secretary female voice Lane, who chaired the meeting, "The Water fragrance and quiet." We have to find and have, and because they have lived full. However, we will ask why we make it so difficult "journey"? Poetry always the same person, there is always a touch of poetry in this floating addicts. We have our own search. We are always behind the tenacity to find words hidden in the illusion and imagination. Some of those who seem to live for "distance" and "hallucinations." From this perspective, the poet described the "breathing Peach" and was "so very Chui the wicker." There are very meters on the landscape. Obscure quite early "midnight" the Shanghai Second Medical University, Shanghai 200025, reminiscent of the North Island and Munk those imagist poetry. "Whole people sank in the cold as home," Sparkle, condensed and Harvest. Wangshunbin poem level varies, not neat. Some poems, such as the aforementioned "avoid vulgar phrase" the tendency influx such as "I could not hear the lying." Suddenly / understand the "tired shallow portrayals disclosed, but appears to be lacking connotation. But in some poems. The author has displayed astonishing cadenza. the most touching is "the dawn of the first" go all out -- the highest A Flame 2 road users
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